I have the biggest heart on for Pogo. Pogo being a 22-year old remix master living in Perth, Australia. He takes classic movies (from Up to Gone with the Wind), and puts together mixes consisting almost (>95%) entirely of sound bites from the movie. And they are MAGIC. Upular was my favorite until last week when my sister showed me Toyz Noize, which is a Toy Story mash.
POGO does some amazing stuff besides remixing soundtracks of course, my personal favorite is Splurgensh**ter; the video makes me smile every time. Darth Vader will never be the same. (Just watch it.. bonus points if you can identify the source of the “I want to move to the beat” clip.)
Obviously, being a remix artist, Pogo has come up against the various laws surrounding copyright, which he discusses a bit on his blog. He has had to go to battle against Disney for remixes of some of their classic movies including Alice in Wonderland. Some of his work (including a remix of Hook) is not legally available in online format, you have to go to his shows to see him mix live. Just need to get him to Vancouver.
Pogo’s work clearly embodies sampling as a loving reinterpretation of the original source material, and it is obviously done with a lot of respect for the original movies. And has rekindled many listeners’ love affairs with some of their childhood favorites. Not all movie production companies think so and still insist that this is money-grubbing copyright infringement.
Here are Pogo’s own words: “My work serves as free viral marketing to the organisations that own the films I sample from. It’s high time the music industry pulls its head out of its ass, and realises that today’s remix culture is an asset, not a liability. To shoot down the potential here would be utterly illogical.”
I’m going to go find a Darth Vader helmet and go dance in my backyard now…